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A green, paint-spattered paperback cover — a white hatchet silhouette rising through a leafy green explosion of color, 'HATCHET' in bold white capitals and 'GARY PAULSEN' beneath it, a silver Newbery Honor Book medallion at lower left, and a banner reading 'The bestselling classic survival story with more than 4.5 million copies sold.'
First published
1987
Author
Gary Paulsen
Publisher
Bradbury Press
Pages
186
This copy
paperback edition with Newbery Honor Book seal ("more than 4.5 million copies sold" banner; publisher/year not stated on cover)

Hatchet

Gary Paulsen · 1987

Brian Robeson is thirteen, flying alone in a small bush plane to spend the summer with his father in the oil fields of northern Canada, when the pilot has a heart attack and dies at the controls. Brian is carrying a secret about his mother the whole flight — something he witnessed and hasn't told anyone — and it keeps surfacing in his head while he's fighting to bring down a plane he's never flown, then again after, alone by the lake where he crashes.

The hatchet is a going-away gift from his mother, the only tool he has, and the book is precise about what he manages to do with it — sparking a fire, losing it, learning to keep it. He works out how to catch fish and turtle eggs, hunts the grouse he starts calling fool-birds, and survives a porcupine in the dark, two encounters with bears, a pack of wolves that looks him over and moves on, and a moose that attacks him without warning. A tornado near the end turns the sunken plane over so its tail breaks the surface, and Brian builds a raft, pushes out to it and cuts his way inside, where the survival pack the pilot had pointed out on the flight up is still stowed — including a radio transmitter that eventually gets him found, after fifty-four days alone.

It's a young-adult book that trusts a reader with real physical detail — this is not a survival story that skips the parts where things go wrong — and that specificity is why it's stayed assigned reading for decades rather than just popular. The one thing to flag is pacing: the middle stretch is deliberately repetitive, because that's what the days actually were, and a reader wanting constant incident will feel the book slow down exactly where Paulsen wants it to.

  • Fiction
  • Young adult
  • Adventure